The most hellish image in New Orleans was not the battering waves of Lake Pontchartrain or even the homeless children wandering on raised highways. It was the forgotten thousands crammed into the fetid depths of the Superdome. And what most news outlets failed to report was that those infernos were not designed by the people within, nor did they represent the spontaneous eruption of nature red in tooth and claw. They were created by the authorities. The people within were not allowed to leave. The Convention Center and the Superdome became open prisons. "They won't let them walk out," reported Fox News anchor Shepard Smith, in a radical departure from the script. "They got locked in there. And anyone who walks up out of that city now is turned around. You are not allowed to go to Gretna, Louisiana, from New Orleans, Louisiana. Over there, there's hope. Over there, there's electricity. Over there, there is food and water. But you cannot go from here to there. The government will not allow you to do it. It's a fact." Jesse Jackson compared the Superdome to the hull of a slave ship.
This is the disaster our society has been working to realize for a quarter century, ever since Ronald Reagan rode into town on promises of massive tax cuts. Many of the stories we hear about sudden natural disasters are about the brutally selfish human nature of the survivors, predicated on the notion that survival is, like the marketplace, a matter of competition, not cooperation. And when we look back at Katrina, we may see that the greatest savagery was that of our public officials, who not only failed to provide the infrastructure, social services, and opportunities that would have significantly decreased the vulnerability of pre-hurricane New Orleans, but who also, when disaster did occur, put their ideology before their people.
23 September 2005
Colossal Failure
Browsing the Harper's magazine Web site, I came across a compelling essay titled "The Uses of Disaster," written by Rebecca Solnit and posted September 9. In her closing paragraphs, Solnit turns to the catastrophic horrors in New Orleans triggered by Hurricane Katrina:
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